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<p>1820 March 16 Seen May 4.</p> | |||
<head>Geometry <add>Posology</add> <del>Rudiments</del></head> | |||
<note>Ch or § Conjectural History</note> | |||
<p>2</p> | |||
<p>17 or 1 Conject<hi rend="superscript">l</hi><lb/> | |||
Hist<hi rend="superscript">y</hi>.<lb/> | |||
Analytic<lb/> | |||
<del><gap/></del><lb/> | |||
genesis</p> | |||
<p>Originative material<lb/> | |||
archetype of the abstract<lb/> | |||
ideas expressed<lb/> | |||
by Geometry, a pair<lb/> | |||
of compasses — an instrument<lb/> | |||
for measuring distances.</p> | |||
<p>First rude mode of<lb/> | |||
constructing them two<lb/> | |||
twigs, the two sides of<lb/> | |||
them put the one over<lb/> | |||
the other, and fastened<lb/> | |||
together by a stronger<lb/> | |||
twig drawn through them<lb/> | |||
round which they play</p> | |||
<p>18 or 2 Analytic<lb/> | |||
genesis</p> | |||
<p>This original pair<lb/> | |||
of compasses would approach<lb/> | |||
more and more<lb/> | |||
towards those formed by<lb/> | |||
modern art, as the<lb/> | |||
twigs were by <unclear>scission</unclear><lb/> | |||
or friction reduced<lb/> | |||
more and more<lb/> | |||
to the form of those<lb/> | |||
parallellipedons called<lb/> | |||
buttons</p> | |||
<p>☞ Distinguish Alegomorphics<lb/> | |||
into 1. Unscientific or ordinary<lb/> | |||
viz. arithmetic applied to accounting<lb/> | |||
2. Scientific viz.<lb/> | |||
Algebraic Fluxions &c</p><pb/> | |||
<p>19 or 3 Conject<hi rend="superscript">l</hi><lb/> | |||
History<lb/> | |||
Analytic<lb/> | |||
genesis</p> | |||
<p>Two <del><gap/></del> sources of<lb/> | |||
the ideas of geometrical<lb/> | |||
figures.<lb/> | |||
1. Observation — hence<lb/> | |||
the original idea.<lb/> | |||
2. Formation</p> | |||
<p>20 or 4. Analytic<lb/> | |||
genesis</p> | |||
<p>Archetypes from <add>by</add> which<lb/> | |||
the idea of a sphere<lb/> | |||
may have been suggested</p> | |||
<p>21 or 5</p> | |||
<p>The most perfect, stones<lb/> | |||
worn into a globular<lb/> | |||
form by friction <del><gap/></del> in<lb/> | |||
water as in gravel</p> | |||
<p>22 or 6 Analytic<lb/> | |||
genesis</p> | |||
<p>Figures not much<lb/> | |||
distant from spherical<lb/> | |||
are presented by <del>several</del> <add>various</add><lb/> | |||
articles of the vegetable<lb/> | |||
and animal kingdom<lb/> | |||
By the <del><gap/></del> vegetable<lb/> | |||
as nuts, <del><gap/></del> oranges,<lb/> | |||
apples, <sic>potatoe</sic> roots<lb/> | |||
and other roots.</p> | |||
<p>26 or 7 Analytic<lb/> | |||
genesis</p> | |||
<p>By the animal — as<lb/> | |||
eggs of snakes, and<lb/> | |||
tortoises, perhaps those<lb/> | |||
of some birds.</p> | |||
<p>27 or 8 Analytic<lb/> | |||
genesis</p> | |||
<p>The idea of a sphere<lb/> | |||
having been obtained by<lb/> | |||
observation, it might<lb/> | |||
[have been] presented anew by<lb/> | |||
mistaken formations.<lb/> | |||
<del>The</del> <add>An</add> instrument of formation<lb/> | |||
is presented by the<lb/> | |||
<add>original</add> compasses as above<lb/> | |||
described.</p><pb/> | |||
<!-- This column has been deleted to the horizontal line below --> | |||
<p>Ordo 1831 March 6</p> | |||
<p>11. Introduction — Design of<lb/> | |||
the work—differences</p> | |||
<p>§ 1. Uses of Posology<lb/> | |||
§.2. Posology, what<lb/> | |||
§.3. Subject matters<lb/> | |||
of Posology<lb/> | |||
§.4 Branches of Posology<lb/> | |||
§.5 Means of elucidation<lb/> | |||
§.6. Means of facilitation</p> | |||
<p>§ Alegomorphic Posology</p> | |||
<p>§. Morphoscopic Posology</p> | |||
<p>Ordo 7 March 1831</p> | |||
<p>Ch. 1. Of Posology in<lb/> | |||
General</p> | |||
<p>§.1. Posology what<lb/> | |||
its branches<lb/> | |||
§.2. Posology its uses.<lb/> | |||
§.3. Means of maximizing<lb/> | |||
its usefulness.</p> | |||
<!-- Horizontal line --> | |||
<p>Addend 9 May 31</p> | |||
<p>§ 28 or 9<lb/> | |||
Logic .. Language</p> | |||
<p><del>Parallel between</del> Posol<lb/> | |||
Analogy of a Universal<lb/> | |||
posological to Chinese<lb/> | |||
characters: both, portions<lb/> | |||
of a quasi-universal<lb/> | |||
language the<lb/> | |||
same visible signs<lb/> | |||
being to different nations<lb/> | |||
signs of different audible signs.</p> | |||
<p>Addend. 9 May 31<lb/> | |||
Conj<hi rend="superscript">l</hi> History<lb/> | |||
Use of.</p> | |||
<p>Uses of giving the Conjectural<lb/> | |||
History what?<lb/> | |||
Answer: Giving facility<lb/> | |||
and <sic>compleatness</sic> to <hi rend="underline">conception</hi>.</p> | |||
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{{Metadata:{{PAGENAME}}}} | {{Metadata:{{PAGENAME}}}}{{Completed}} | ||
1820 March 16 Seen May 4.
Geometry Posology Rudiments
Ch or § Conjectural History
2
17 or 1 Conjectl
Histy.
Analytic
genesis
Originative material
archetype of the abstract
ideas expressed
by Geometry, a pair
of compasses — an instrument
for measuring distances.
First rude mode of
constructing them two
twigs, the two sides of
them put the one over
the other, and fastened
together by a stronger
twig drawn through them
round which they play
18 or 2 Analytic
genesis
This original pair
of compasses would approach
more and more
towards those formed by
modern art, as the
twigs were by scission
or friction reduced
more and more
to the form of those
parallellipedons called
buttons
☞ Distinguish Alegomorphics
into 1. Unscientific or ordinary
viz. arithmetic applied to accounting
2. Scientific viz.
Algebraic Fluxions &c
---page break---
19 or 3 Conjectl
History
Analytic
genesis
Two sources of
the ideas of geometrical
figures.
1. Observation — hence
the original idea.
2. Formation
20 or 4. Analytic
genesis
Archetypes from by which
the idea of a sphere
may have been suggested
21 or 5
The most perfect, stones
worn into a globular
form by friction in
water as in gravel
22 or 6 Analytic
genesis
Figures not much
distant from spherical
are presented by several various
articles of the vegetable
and animal kingdom
By the vegetable
as nuts, oranges,
apples, potatoe roots
and other roots.
26 or 7 Analytic
genesis
By the animal — as
eggs of snakes, and
tortoises, perhaps those
of some birds.
27 or 8 Analytic
genesis
The idea of a sphere
having been obtained by
observation, it might
[have been] presented anew by
mistaken formations.
The An instrument of formation
is presented by the
original compasses as above
described.
---page break---
Ordo 1831 March 6
11. Introduction — Design of
the work—differences
§ 1. Uses of Posology
§.2. Posology, what
§.3. Subject matters
of Posology
§.4 Branches of Posology
§.5 Means of elucidation
§.6. Means of facilitation
§ Alegomorphic Posology
§. Morphoscopic Posology
Ordo 7 March 1831
Ch. 1. Of Posology in
General
§.1. Posology what
its branches
§.2. Posology its uses.
§.3. Means of maximizing
its usefulness.
Addend 9 May 31
§ 28 or 9
Logic .. Language
Parallel between Posol
Analogy of a Universal
posological to Chinese
characters: both, portions
of a quasi-universal
language the
same visible signs
being to different nations
signs of different audible signs.
Addend. 9 May 31
Conjl History
Use of.
Uses of giving the Conjectural
History what?
Answer: Giving facility
and compleatness to conception.
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Identifier: | JB/135/139/001"JB/" can not be assigned to a declared number type with value 135. |
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1820-03-16 |
[[marginal_summary_numbering::17 or 1 - 22 or 6, 26[sic] or 7 - 28 or 9]] |
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135 |
posology |
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139 |
posology geometry |
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001 |
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marginal summary sheet |
1 |
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jeremy bentham |
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46257 |
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