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<head>1821 Dec<hi rend="superscript">r</hi>. 22 M<lb/>
Logic Posology</head>


<note>Ch. Uses<lb/>
61<lb/>
&sect;. Collateral uses.<lb/>
M<lb/>
Collateral Uses<lb/>
<del>Usefulness <gap/></del></note>
<p>6</p>
<note>10<lb/>
Applicability and<lb/>
usefulness in what<lb/>
shape erroneously ascribed<lb/>
to it: viz. Ethics<lb/>
including morals and politics</note>
<p>Relation of Logic to Oratory or say Rhetoric, and Poetry<lb/>
One branch of Logic considered as an art in branch is<lb/>
the art of apt representation: Inapt representation is<lb/>
misrepresentation. The art of misrepresentation has<lb/>
two branches: misrepresentation in prose, and misrepresentation<lb/>
in verse. Misrepresentation in prose is<lb/>
Oratory or Rhetoric: misrepresentation in verse is Poetry</p>
<note>11.<lb/>
Ethics how far Mathematics
is <del><gap/></del> capable<lb/>
of being made serviceable<lb/>
to Ethics &#x2014; Maximization<lb/>
&#x2014; Minimization &#x2014; phrases<lb/>
expressive of relation between<lb/>
quantities &#x2014; <hi rend="underline">In so far as</hi><lb/>
as <!-- space --> is to <!-- space --> so is<lb/>
to </note>
<p>Elements of appropriate aptitude in a portion of discourse<lb/>
considered singly say <del>an</del> a single proposition are<lb/>
1 clearness, 2. correctness. 3. <sic>compleatness</sic>. Given clearness<lb/>
and correctness you unmask Oratory, you <add>freeze and</add> kill<lb/>
Poetry</p>
<note>12<lb/>
Relative and proportional<lb/>
expressions substituted to<lb/>
absolute which in Ethics<lb/>
are scarce ever true</note>
<p>Oratory and Poetry are both of them ready instruments<lb/>
and necessary instruments in the hand of immorality<lb/>
public and private. Being instruments useful to immorality,<lb/>
they afford incitement to it</p>
<note>13<lb/>
Modes of <add>Designation</add> <add>or</add> expression<lb/>
1. Purely verbal<lb/>
2. Purely figurative or Graphic<lb/>
3. <sic>Mixt</sic>, composed of both<lb/>
<lb/>
Their respective utilities</note>
<p>Their <del><add><gap/></add></del> influence is the result of and proportioned<lb/>
to, the degree of ignorance: the <sic>smalness</sic> of the advances<lb/>
made by the mind in the track of <unclear>intellection</unclear> Poetry<lb/>
pleases by <sic>surprize</sic> and <add>the</add> confusion of mind it produces<lb/>
<sic>surprize</sic> is proportioned to <del>ignorance</del> deficiency of knowle<gap/></p>
<note>14<lb/>
Motion and time how<lb/>
far and how capable<lb/>
of <unclear>constituting</unclear> the subject<lb/>
of posology, alegomorphic<lb/>
and morphoscopic</note>
<p>Poetry &#x2014; its analogy to <hi rend="underline">punning</hi>. As punning grows <unclear>out</unclear><lb/>
of <unclear>fashion</unclear>, so finally will poetry</p>
<note>15<lb/>
Motion &#x2014; &#x2014; the idea of<lb/>
it as compounded of those<lb/>
of time and space<lb/>
<lb/>
Motion an element of<lb/>
<hi rend="underline">force</hi> or <hi rend="underline">power</hi> in Mechanics</note>
<p>The fondness for poetry in England is connected with<lb/>
Aristocracy. It is one of the instruments by which the confederacy<lb/>
between Monarchical and Aristocratical <gap/> take<lb/>
to heart and delight in <unclear>diverting</unclear> the attention from the subjects of <note><add><gap/> a matter of</add> Religion and Constitutional<lb/>
Laws.</note></p>




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1821 Decr. 22 M
Logic Posology

Ch. Uses
61
§. Collateral uses.
M
Collateral Uses
Usefulness

6

10
Applicability and
usefulness in what
shape erroneously ascribed
to it: viz. Ethics
including morals and politics

Relation of Logic to Oratory or say Rhetoric, and Poetry
One branch of Logic considered as an art in branch is
the art of apt representation: Inapt representation is
misrepresentation. The art of misrepresentation has
two branches: misrepresentation in prose, and misrepresentation
in verse. Misrepresentation in prose is
Oratory or Rhetoric: misrepresentation in verse is Poetry

11.
Ethics how far Mathematics is capable
of being made serviceable
to Ethics — Maximization
— Minimization — phrases
expressive of relation between
quantities — In so far as
as is to so is
to

Elements of appropriate aptitude in a portion of discourse
considered singly say an a single proposition are
1 clearness, 2. correctness. 3. compleatness. Given clearness
and correctness you unmask Oratory, you freeze and kill
Poetry

12
Relative and proportional
expressions substituted to
absolute which in Ethics
are scarce ever true

Oratory and Poetry are both of them ready instruments
and necessary instruments in the hand of immorality
public and private. Being instruments useful to immorality,
they afford incitement to it

13
Modes of Designation or expression
1. Purely verbal
2. Purely figurative or Graphic
3. Mixt, composed of both

Their respective utilities

Their influence is the result of and proportioned
to, the degree of ignorance: the smalness of the advances
made by the mind in the track of intellection Poetry
pleases by surprize and the confusion of mind it produces
surprize is proportioned to ignorance deficiency of knowle

14
Motion and time how
far and how capable
of constituting the subject
of posology, alegomorphic
and morphoscopic

Poetry — its analogy to punning. As punning grows out
of fashion, so finally will poetry

15
Motion — — the idea of
it as compounded of those
of time and space

Motion an element of
force or power in Mechanics

The fondness for poetry in England is connected with
Aristocracy. It is one of the instruments by which the confederacy
between Monarchical and Aristocratical take
to heart and delight in diverting the attention from the subjects of a matter of Religion and Constitutional
Laws.



Identifier: | JB/135/401/001"JB/" can not be assigned to a declared number type with value 135.

Date_1

1821-12-22

Marginal Summary Numbering

10-15

Box

135

Main Headings

posology

Folio number

401

Info in main headings field

logic posology

Image

001

Titles

Category

text sheet

Number of Pages

1

Recto/Verso

recto

Page Numbering

e5 / g61

Penner

jeremy bentham

Watermarks

c wilmott 1819

Marginals

jeremy bentham

Paper Producer

andreas louriottis

Corrections

Paper Produced in Year

1819

Notes public

ID Number

46519

Box Contents

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