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<note>1</note>
 
<head>Indirect</head>
 
<note>Notes<lb/>Imagination<lb/>Dead March <lb/>in Saul<lb/></note>
 
<p>Handel's once celebrated march, the dead march <add>as it is called</add>  in<lb/><add>the Oratorio of</add> Saul would suit admirably with a procession of this<lb/>sort <add>kind</add>.  Its simple and melancholy majesty would<lb/>be more in unison with <add>better adapted to</add> the feelings of the <del>common</del><lb/>people at large than the more refined compositions<lb/>of modern artists.<lb/></p>
 
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<note>Poetry</note>
<p>The punishment for parricides for example<lb/><del>being</del> furnished matter for the pen of Juvenal.<lb/> <foreign>Cujus supplicio non debuit una parari<lb/>Simia, non serpens unus, non culeus unus.</foreign><lb/>This was exemplary <del>enough</del>, but without being at<lb/>all characteristic.<lb/></p><p>So the punishment for adultery<lb/></p><!-- a blank space is left here -->
<p><foreign>Attracis pedibus,  patente portâ<lb/>Percurrunt raphani, mugilesque</foreign><lb/>And again<lb/><foreign>Quoidem moechos &amp; mugilis intrat</foreign><lb/>The <sic>antients</sic> seem to have been no happier in the<lb/>choice of their punishments than we.  I can see nothing <lb/>of design in either of these punishments; no <del>th</del><lb/>more than that of boiling to death for poisoning, which<lb/>was once in force or the burning of women for coining<lb/>which is still in force in England.  Caprice seems<lb/>to have <gap/> all these punishments: caprice in<lb/>consultation with indecency the second.<lb/><note>In none of these cases can <lb/>I find any natural connection <lb/>between the punishment &amp; <lb/>the offence<lb/></note></p>
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 






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Latest revision as of 11:21, 11 December 2020

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1

Indirect

Notes
Imagination
Dead March
in Saul

Handel's once celebrated march, the dead march as it is called in
the Oratorio of Saul would suit admirably with a procession of this
sort kind. Its simple and melancholy majesty would
be more in unison with better adapted to the feelings of the common
people at large than the more refined compositions
of modern artists.


Poetry

The punishment for parricides for example
being furnished matter for the pen of Juvenal.
Cujus supplicio non debuit una parari
Simia, non serpens unus, non culeus unus.

This was exemplary enough, but without being at
all characteristic.

So the punishment for adultery

Attracis pedibus, patente portâ
Percurrunt raphani, mugilesque

And again
Quoidem moechos & mugilis intrat
The antients seem to have been no happier in the
choice of their punishments than we. I can see nothing
of design in either of these punishments; no th
more than that of boiling to death for poisoning, which
was once in force or the burning of women for coining
which is still in force in England. Caprice seems
to have all these punishments: caprice in
consultation with indecency the second.
In none of these cases can
I find any natural connection
between the punishment &
the offence


















Identifier: | JB/087/139/001"JB/" can not be assigned to a declared number type with value 87.

Date_1

Marginal Summary Numbering

not numbered

Box

087

Main Headings

indirect legislation

Folio number

139

Info in main headings field

indirect

Image

001

Titles

Category

text sheet

Number of Pages

4

Recto/Verso

recto

Page Numbering

f1 / f2 / f3 / f4

Penner

jeremy bentham

Watermarks

[[watermarks::gr [crown motif] [britannia with shield motif]]]

Marginals

jeremy bentham

Paper Producer

Corrections

Paper Produced in Year

Notes public

ID Number

27664

Box Contents

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