★ Find a new page on our Untranscribed Manuscripts list.
No edit summary |
No edit summary |
||
| (2 intermediate revisions by one other user not shown) | |||
| Line 4: | Line 4: | ||
<head>10</head> | <head>10</head> | ||
<head>Compensation .</head><!-- centred --> | <head>Compensation.</head><!-- centred --> | ||
<!-- horizontal line --> | <!-- horizontal line --> | ||
<head>NOTE continued</head><!-- centred --> | <head>NOTE continued</head><!-- centred --> | ||
<p><note>Reasons for the negative -</note> between Handel and Bononcini . <add>+</add> <note>+ See Hawkins's Hist . of Music.</note> | <p><note>Reasons for the negative -</note> between Handel and Bononcini. <add>+</add> <note>+ See Hawkins's Hist. of Music.</note> | ||
<lb/></p> | <lb/></p> | ||
<p><!-- indented --><add>[+]</add> <note><add>[+]</add> With instances of th<del>is</del>e like sort one might <add>presently</add> <del>easily</del> fill a Volume : and but [were it not for]</note> <del>But</del> for the objections given above , there is no reason | <p><!-- indented --><add>[+]</add> <note><add>[+]</add> With instances of th<del>is</del>e like sort one might <add>presently</add> <del>easily</del> fill a Volume: and but [were it not for]</note> <del>But</del> for the objections given above, there is no reason | ||
<lb/> | <lb/> | ||
why any of these antipathies <add>resentments</add> might <add>should</add> not have | why any of these antipathies <add>resentments</add> might <add>should</add> not have | ||
| Line 19: | Line 19: | ||
<add>respectively</add> been satiated with the punishment of those who gave | <add>respectively</add> been satiated with the punishment of those who gave | ||
<lb/> | <lb/> | ||
occasion <add>provoked</add> to them , were the numbers of those who harboured | occasion <add>provoked</add> to them, were the numbers of those who harboured | ||
<lb/> | <lb/> | ||
them so much greater than that of those who were | them so much greater than that of those who were | ||
| Line 31: | Line 31: | ||
<!-- horizontal line --> | <!-- horizontal line --> | ||
<head><unclear><del>d</del></unclear></head> | <head><unclear><del>d</del></unclear></head> | ||
| Line 40: | Line 40: | ||
<!-- DO NOT EDIT BELOW THIS LINE --> | <!-- DO NOT EDIT BELOW THIS LINE --> | ||
{{Metadata:{{PAGENAME}}}} | {{Metadata:{{PAGENAME}}}}{{Completed}} | ||
10
Compensation.
NOTE continued
Reasons for the negative - between Handel and Bononcini. + + See Hawkins's Hist. of Music.
[+] [+] With instances of thise like sort one might presently easily fill a Volume: and but [were it not for] But for the objections given above, there is no reason
why any of these antipathies resentments might should not have
respectively been satiated with the punishment of those who gave
occasion provoked to them, were the numbers of those who harboured
them so much greater than that of those who were
the objects of them as to make up for what the pleasure
of the former wanted of being equivalent to
the pain suffering of the latter.
d
|
Identifier: | JB/100/194/002"JB/" can not be assigned to a declared number type with value 100. |
|||
|---|---|---|---|
|
not numbered |
|||
|
100 |
punishment |
||
|
194 |
compensation |
||
|
002 |
note continued |
||
|
text sheet |
4 |
||
|
recto |
f9 / f10 / f11 / f12 |
||
|
jeremy bentham |
[[watermarks::v g [sic] propatria [britannia motif]]] |
||
|
caroline vernon |
|||
|
32210 |
|||
