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<pb/>
<pb/>
<p>other tall <gap/><lb/>with oxygen air<lb/>and <gap/> to burn<lb/>in them</p>
<p>other tall <gap/><lb/>with oxygen air<lb/>and <gap/> to burn<lb/>in them</p>
<p>For supporting<lb/>Grapes &#x2014; a silver<lb/>Girandole in form<lb/>of a tree &#x2014; the<lb/>bunches tied by threads<lb/>to the branches. This<lb/> might force <gap/><lb/>piece <gap/> dinner<lb/>time.</p>
<p>For supporting<lb/>Grapes &#x2014; a silver<lb/>Girandole in form<lb/>of a tree &#x2014; the<lb/>bunches tied by threads<lb/>to the branches. This<lb/> might force middle<lb/>piece even during dinner<lb/>time.</p>
<p><hi rend="underline">Services</hi>, not <gap/>,<lb/>but sticking<lb/>in something<lb/>either by themselves<lb/>or with the grapes.</p>
<p><hi rend="underline">Services</hi>, not <gap/>,<lb/>but sticking<lb/>in something<lb/>either by themselves<lb/>or with the grapes.</p>
<p>Conversation Tubes<lb/>for giving orders &amp;c<lb/>from one extremity<lb/>of the site to the other</p>
<p>Conversation Tubes<lb/>for giving orders &amp;c<lb/>from one extremity<lb/>of the site to the other</p>
<p>Young enough Women<lb/>to have blank <gap/><lb/>given them that<lb/>for them to fill up with <lb/>the names of their sweethearts</p>
<p>Young enough Women<lb/>to have blank invitations<lb/>given them that<lb/>for them to fill up with <lb/>the names of their sweethearts</p>
<p>So young men for<lb/>theirs, only under the<lb/>condition of naming<lb/>them, lest they should<lb/><gap/> women of<lb/>bad repute.</p>
<p>So young men for<lb/>theirs, only under the<lb/>condition of naming<lb/>them, lest they should<lb/>introduce women of<lb/>bad repute.</p>
<pb/>
<pb/>
<p>J.B.s company-<lb/>room the<lb/>corner room on<lb/>the Ground floor</p>
<p>J.B.s company-<lb/>room the<lb/>corner room on<lb/>the Ground Floor</p>
<p>J.Bs working <hi rend="underline">not-at<lb/>-home</hi> room<lb/>the corner <hi rend="underline">two-pair <lb/>of-<gap/></hi> room.</p>
<p>J.Bs working <hi rend="underline">not-at<lb/>-home</hi> room<lb/>the corner <hi rend="underline">two-pair <lb/>of-stairs</hi> room.</p>
<p>The Balcony<lb/>Garden to terminate<lb/>at each end<lb/>in a looking-glass<lb/>to be in general<lb/>shut up by a<lb/>door, occasionally<lb/>opened when there<lb/>is company.</p>
<p>The Balcony<lb/>Garden to terminate<lb/>at each end<lb/>in a looking-glass<lb/>to be in general<lb/>shut up by a<lb/>door, occasionally<lb/>opened when there<lb/>is company.</p>
<p>The door shutting<lb/>up the looking glass<lb/> to be <gap/> also with<lb/>looking-glass, so<lb/><gap/> when opened<lb/>it may open to a<lb/>right angle.</p>
<p>The door shutting<lb/>up the looking glass<lb/> to be lined also with<lb/>looking-glass, so<lb/>that when opened<lb/>it may open to a<lb/>right angle.</p>
<p>The Balcony Balustrade<lb/><gap/><lb/>of simple<lb/>parallel bars</p>
<p>The Balcony Balustrade<lb/><gap/><lb/>of simple<lb/>parallel bars</p>
<p>The Balcony as<lb/>broad as may be<lb/>to hold plants &amp;<lb/>allow a person to<lb/>wash.</p>
<p>The Balcony as<lb/>broad as may be<lb/>to hold plants &amp;<lb/>allow a person to<lb/>wash.</p>
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<p>The width may be<lb/>at least as great as<lb/>that of a door.</p>
<p>The width may be<lb/>at least as great as<lb/>that of a door.</p>
<pb/>
<pb/>
<p>The center room<lb/>might have a<lb/><del><gap/></del> slight bow to<lb/>it in which the<lb/>company may<lb/>look at the looking<lb/>-glass <gap/><lb/>of the Balcony at<lb/><gap/> end, and<lb/>see it multiplied<lb/><foreign>ad infinitum</foreign></p>
<p>The center room<lb/>might have a<lb/><del><gap/></del> slight bow to<lb/>it in which the<lb/>company may<lb/>look at the looking<lb/>-glass <gap/><lb/>of the Balcony at<lb/>cellar end, and<lb/>see it multiplied<lb/><foreign>ad infinitum</foreign></p>
<note>The bow, not to <del><gap/></del><lb/><del><gap/></del> part he Architecture<lb/>might be <gap/> occasionally<lb/> <gap/></note>
<note>The bow, not to <del><gap/></del><lb/><del><gap/></del> part the Architecture<lb/>might be <gap/> occasionally<lb/> <gap/></note>
<p>Passage carpeted<lb/>for woman <gap/> whosoever<lb/>feel <gap/> occasion<lb/>to come with<lb/>a border of Mosaic<lb/> in marble</p>
<p>Passage carpeted<lb/>for woman sake whosoever<lb/>feel <gap/> occasion<lb/>to come with<lb/>a border of Mosaic<lb/> in marble</p>
<p>Roof <add>ceiling</add> if the Long<lb/>Passage coved<lb/>might it not have<lb/>something of the<lb/><gap/>-Arch-work<lb/>kind to <gap/> off<lb/>from the <gap/> great<lb/> multiplicity &#x2014; something <del>appro</del> particularly<lb/>of the <add>the form of</add> Gothic</p>
<p>Roof <add>ceiling</add> if the Long<lb/>Passage coved<lb/>might it not have<lb/>something of the<lb/><hi rend="underline"><unclear>Grain</unclear></hi>-Arch-work<lb/>kind to take off<lb/>from the two great<lb/> multiplicity &#x2014; something <del>appro</del> particularly<lb/>of the <add>the form of</add> Gothic</p>
<p>Though each compartment<lb/>taken by<lb/>itself might be very simple, yet the multitude<lb/>of compartments<lb/> one behind another<lb/>might form plans<lb/>my kind of confusion<lb/>and variety</p>
<p>Though each compartment<lb/>taken by<lb/>itself might be very simple, yet the multitude<lb/>of compartments<lb/> one behind another<lb/>might form plans<lb/>my kind of confusion<lb/>and variety</p>
<p>Flower-Pots in<lb/>the <gap/> &#x2014; as pleasing<lb/>as nature, and<lb/>much less expensive.</p>
<p>Flower-Pots in<lb/>the <gap/> &#x2014; as pleasing<lb/>as nature, and<lb/>much less expensive.</p>
<p>The light windows<lb/>might lock but perhaps<lb/>in <gap/><lb/><gap/> &#x2014; but in longitudinal<lb/>they would<lb/>be much less expensive.</p>
<p>The light windows<lb/>might lock but perhaps<lb/>in <gap/><lb/><gap/> &#x2014; but in longitudinal<lb/>they would<lb/>be much less expensive.</p>
<p>Opposite the street<lb/>door <del>should be</del> which<lb/>should be glass, should<lb/>be glass door into the<lb/>garden for the sake of<lb/>the visitors.</p>
<p>Opposite the street<lb/>door <del>should be</del> which<lb/>should be glass, should<lb/>be glass door into the<lb/>garden for the sake of<lb/>the vista.</p>
<p>For the <gap/> to the<lb/> Long Passage, <gap/><lb/>like those at <lb/>the Bank, but with<lb/>stripes of colour'd glasses<lb/>See L. Dudley &amp; Ward's<lb/>and the Kentish Town<lb/>Chapel.</p>
<pb/>
<p>In Glass Chandeliers<lb/>as the <gap/> connecting<lb/>the <gap/> look black &amp;<lb/>ugly, bring them up rough<lb/>cut glass beads which may<lb/>be of different colours.</p>
<p>For the <gap/> to the<lb/> Long Passage, Melon-glasses<lb/>like those at <lb/>the Bank, but with<lb/>stripes of colour'd glasses<lb/>See L. Dudley &amp; Ward's<lb/>and the Kentish Town<lb/>Chapel.</p>
<p>In Glass Chandeliers<lb/>as the <gap/> connecting<lb/>the dresses look black &amp;<lb/>ugly, bring them up rough<lb/>cut glass beads which may<lb/>be of different colours.</p>
<p>Ornaments for Desert.</p>
<p>Ornaments for Desert.</p>


<p>Columns of hollow<lb/>glass filled with coloured<lb/>fluids.<lb/>D<hi rend="superscript">r</hi> <gap/> with Gold<lb/>leaf.</p>
<p>Columns of hollow<lb/>glass filled with coloured<lb/>fluids.<lb/>D<hi rend="superscript">r</hi> <gap/> with Gold<lb/>leaf.</p>
<p>Lined with gold<lb/>leaf and filled with<lb/>coloured fluids &#x2014; the<lb/>gold of <gap/><lb/>in <gap/> or other figure<lb/><gap/> <gap/> <gap/><lb/> colour<gap/> <lb/><gap/></p>
<p>Lined with gold<lb/>leaf and filled with<lb/>coloured fluids &#x2014; the<lb/>gold leaf interrupted<lb/>in <gap/> or other figure<lb/><gap/> <gap/> <gap/><lb/> colour<gap/> <lb/><gap/></p>
<p>Could <gap/> story of Phaeton<lb/>be this exhibited, his <gap/><lb/>setting the world on fire<lb/>by <gap/> or chemistry?</p>
<p>Could <gap/> story of Phaeton<lb/>be this exhibited, his <gap/><lb/>setting the world on fire<lb/>by <gap/> or chemistry?</p>
<p>A <gap/> of any spot<lb/>that appears to be the<lb/>topic of conversation for<lb/>the <gap/>, to be made by<lb/>the <hi rend="underline">marble mosaic</hi><lb/>work: viz: <del>glass</del> <gap/> <add>with glass heads</add><lb/><gap/> into <gap/></p>
<p>A <gap/> of any spot<lb/>that appears to be the<lb/>topic of conversation for<lb/>the <gap/>, to be made by<lb/>the <hi rend="underline">marble mosaic</hi><lb/>work: viz: <del>glass</del> <gap/> <add>with glass heads</add><lb/><gap/> into <gap/></p>

Revision as of 22:35, 12 December 2014

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House & Furniture Nov. 10. 1794

Decorations for the
Barr: where refreshments
are
served out

Compressed Air Fountains
of Copper plated
with Silver
Liquors flowing.
1. Rose-Water
2. Orange-flower Water
3. Lavender Water
4. Hungary Water
They may be plain
or coloured.

Room perfumed
by invisible Electrical
fountain of Rose-Water

Lenses with coloured
fluids illuminated.

Lenses with immiscible
fluids differently
coloured — observe
the effect in the
way of refraction.

Spectra by rotation of a wheel
composed of prismatic
spokes — Argand's Lamp
with reflectors behind.
The Spector thrown in
Virtual Plates of Paper
Magic-Lantern
differently coloured, or
Exhibitions
on reflecting Suns with
rotating with rays of
different inclinations.

Water Fireworks by
burning Gunpowder
under water under the with
the tallest
that can be got. The
operator concealed in
a Cupboard, with a
chimney to carry off
the air generated at
first before the immersion
can be performed.


---page break---

other tall
with oxygen air
and to burn
in them

For supporting
Grapes — a silver
Girandole in form
of a tree — the
bunches tied by threads
to the branches. This
might force middle
piece even during dinner
time.

Services, not ,
but sticking
in something
either by themselves
or with the grapes.

Conversation Tubes
for giving orders &c
from one extremity
of the site to the other

Young enough Women
to have blank invitations
given them that
for them to fill up with
the names of their sweethearts

So young men for
theirs, only under the
condition of naming
them, lest they should
introduce women of
bad repute.


---page break---

J.B.s company-
room the
corner room on
the Ground Floor

J.Bs working not-at
-home
room
the corner two-pair
of-stairs
room.

The Balcony
Garden to terminate
at each end
in a looking-glass
to be in general
shut up by a
door, occasionally
opened when there
is company.

The door shutting
up the looking glass
to be lined also with
looking-glass, so
that when opened
it may open to a
right angle.

The Balcony Balustrade

of simple
parallel bars

The Balcony as
broad as may be
to hold plants &
allow a person to
wash.

Both looking-glasses
may in
like window-shutters
on ordinary
days — presenting
the looking glasses
both of them to the
room, appearing
as shutters on the
outside

The width may be
at least as great as
that of a door.


---page break---

The center room
might have a
slight bow to
it in which the
company may
look at the looking
-glass
of the Balcony at
cellar end, and
see it multiplied
ad infinitum

The bow, not to
part the Architecture
might be occasionally

Passage carpeted
for woman sake whosoever
feel occasion
to come with
a border of Mosaic
in marble

Roof ceiling if the Long
Passage coved
might it not have
something of the
Grain-Arch-work
kind to take off
from the two great
multiplicity — something appro particularly
of the the form of Gothic

Though each compartment
taken by
itself might be very simple, yet the multitude
of compartments
one behind another
might form plans
my kind of confusion
and variety

Flower-Pots in
the — as pleasing
as nature, and
much less expensive.

The light windows
might lock but perhaps
in
— but in longitudinal
they would
be much less expensive.

Opposite the street
door should be which
should be glass, should
be glass door into the
garden for the sake of
the vista.


---page break---

For the to the
Long Passage, Melon-glasses
like those at
the Bank, but with
stripes of colour'd glasses
See L. Dudley & Ward's
and the Kentish Town
Chapel.

In Glass Chandeliers
as the connecting
the dresses look black &
ugly, bring them up rough
cut glass beads which may
be of different colours.

Ornaments for Desert.

Columns of hollow
glass filled with coloured
fluids.
Dr with Gold
leaf.

Lined with gold
leaf and filled with
coloured fluids — the
gold leaf interrupted
in or other figure

colour

Could story of Phaeton
be this exhibited, his
setting the world on fire
by or chemistry?

A of any spot
that appears to be the
topic of conversation for
the , to be made by
the marble mosaic
work: viz: glass with glass heads
into

It may be drawn very
large by a Pantograph

Decorations for the niches
1. Plants and Flowers
2. Vases of artificial stone

3. &c


---page break---

Columns, Arches &c

about doors &c of
hollow glass with
water and gold foil
illuminated by Morgan's
lamps on the
outside — or in
inclosed spaces in
the inside.

Instead of the
Canary-Bird in
the insider of the
globe with Gold-fish
an
Lamp: the air
coming through the [3] supports.

Globes — the supports
hollow glass
with leaf gold on the
outside.

Geographical
the Map: upon a
very large scale drawn
by a Pantograph
The numerous
and the leaves shiftable,
so that the
map or maps which
happen to be the topic
of the day may be introduced
into the drawing room on
that day.


---page break---

Bricks of the
of the stones of
a free-stone Building,
glazed of
a pearl colour, or
of a colour between
a pearl-colour and
a slate.

So, the wall on
the Queen's Square
side, and a high
wall to be built on
the side of the Barracks
high enough
to conceal them

So, a low wall parallel to the House
for the Balustrade to
stand upon.

So the Garden Walls
except which are
invisible
green.

From the Balcony
a Rope Ladder for
escaping from fire, with
a pole to thrust it up
to the story above -
This particularly applicable
to the S.B. Street
But fire scarce possible
in


---page break---

The buildings in the
neighbour's garden
to be painted with
landscapes al fresco



Identifier: | JB/107/104/001"JB/" can not be assigned to a declared number type with value 107.

Date_1

1794-11-10

Marginal Summary Numbering

Box

107

Main Headings

panopticon

Folio number

104

Info in main headings field

house & furniture

Image

001

Titles

Category

rudiments sheet (brouillon)

Number of Pages

2

Recto/Verso

recto

Page Numbering

Penner

jeremy bentham

Watermarks

Marginals

Paper Producer

Corrections

Paper Produced in Year

Notes public

ID Number

35095

Box Contents

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