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<p><head>Prosody</head></p> | |||
' | <p>Of whatever length a Polish word may be<lb/> | ||
the <add><del>strongest</del> principal</add> accent rests on the penultime <foreign>prãwdǎ</foreign><lb/> | |||
the Truth, <foreign><unclear>okolivinosii</unclear></foreign> circumstances.<hi rend="superscript">x</hi> <note><hi rend="superscript">x</hi> In three syllabical words the accent is on the syllable in the middle. ex gr. <hi rend="underline"><foreign>iĕzīorŏ</foreign></hi> the lake</note> The<lb/> | |||
exceptions are <del>foreign</del> words from a<lb/> | |||
foreign languages, e.g. bīblĭă* <del>the <unclear>Konshaneya</unclear></del> <add>ex. gr. relīgĭă</add><lb/> | |||
<add><del>For</del></add> In words of <del>many</del> <add>four <del>or more</del></add> syllables the accents<lb/> | |||
except in the penultime are not distinct<lb/> | |||
<del>and vary according to the derivation of<lb/> | |||
words; but</del> <add>and are</add> in general <del>they are</del> <add><del>they</del> either</add> alternately<lb/> | |||
long and short: <del>e.g.</del> or <add>moderate</add> <foreign>spondées</foreign>.</p> | |||
<p><unclear><foreign>sprawĭedlūvy</foreign></unclear> just <add><gap/> ogud</add> <unclear><foreign>ōgťōszēnĭc</foreign></unclear><lb/> | |||
the advertisement. In polysyllabical words<lb/> | |||
the accents <add><del>are</del></add> vary according to the derivation<lb/> | |||
of the words, or to the custom,<lb/> | |||
<del>No polysyllabical wods</del> <add><del>In</del> 'or even importance of the thought.</add> On account of the<lb/> | |||
principal accent being on the penultime<lb/> | |||
<del>the the</del> <add>in</add> polish language the jambi are<lb/> | |||
difficult of making. Any jambi <del>they</del><lb/> | |||
verses they make must finish on<lb/> | |||
a monosyllabical word. The easiest<lb/> | |||
are dactiles and trochees. The Poles do not<lb/> | |||
employ the blank verse in their poetry. <del>Their<lb/> | |||
only pur</del> Opalinski a satirist is the only poet<lb/> | |||
who has written in the blank verse. They however<lb/> | |||
<del>attend even in</del> do not neglect to attend to a certain<lb/> | |||
rhithm of the lines in rhymes particularly when the<lb/> | |||
poetry is intended for the song.</p> | |||
<p><note>They employ all sort of <del>varies</del> lines <del>from</del> till 13 syllabical. The commonest are 8, <del>10,</del> 11 and 13 syllabical. They employ also the <foreign>cesura</foreign> <del>for differ</del> <add>but not before 8 syllables</add> <del>Harmony <add>from the 10 syllabical up</add> of <gap/> but only in longer lines</del> In 10 syllabical verses the cesura is in the middle in 11 after the 5th syllable in 12 after the 7th.</note></p> | |||
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{{Metadata:{{PAGENAME}}}}{{ | {{Metadata:{{PAGENAME}}}}{{In_Progress}} | ||
Prosody
Of whatever length a Polish word may be
the strongest principal accent rests on the penultime prãwdǎ
the Truth, okolivinosii circumstances.x x In three syllabical words the accent is on the syllable in the middle. ex gr. iĕzīorŏ the lake The
exceptions are foreign words from a
foreign languages, e.g. bīblĭă* the Konshaneya ex. gr. relīgĭă
For In words of many four or more syllables the accents
except in the penultime are not distinct
and vary according to the derivation of
words; but and are in general they are they either alternately
long and short: e.g. or moderate spondées.
sprawĭedlūvy just ogud ōgťōszēnĭc
the advertisement. In polysyllabical words
the accents are vary according to the derivation
of the words, or to the custom,
No polysyllabical wods In 'or even importance of the thought. On account of the
principal accent being on the penultime
the the in polish language the jambi are
difficult of making. Any jambi they
verses they make must finish on
a monosyllabical word. The easiest
are dactiles and trochees. The Poles do not
employ the blank verse in their poetry. Their
only pur Opalinski a satirist is the only poet
who has written in the blank verse. They however
attend even in do not neglect to attend to a certain
rhithm of the lines in rhymes particularly when the
poetry is intended for the song.
They employ all sort of varies lines from till 13 syllabical. The commonest are 8, 10, 11 and 13 syllabical. They employ also the cesura for differ but not before 8 syllables Harmony from the 10 syllabical up of but only in longer lines In 10 syllabical verses the cesura is in the middle in 11 after the 5th syllable in 12 after the 7th.
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Identifier: | JB/110/111/004"JB/" can not be assigned to a declared number type with value 110. |
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110 |
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111 |
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004 |
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collectanea |
4 |
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recto |
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sir john bowring |
c wilmot 1822 |
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36101 |
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