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<p>remark was accompanied and contrasted by another, that<lb/> | |||
no such danger attended <add>had been observed to attend</add> on a proficiency in instrumental<lb/> | |||
music – why? because <del><gap/></del> there neither is nor ever<lb/> | |||
was any such connection between <del>voice</del> instrumental<lb/> | |||
music and drinking. Drinking leads to bawling <add>noise</add>: and<lb/> | |||
bawling <add>noise inspired by drinking</add> falls naturally into that sort of bawling which<lb/> | |||
has drinking for its theme: and so long as a man<lb/> | |||
retains any sort of possession of his faculties, howsoever <add>whatsoever<lb/> | |||
be the disorder in them –</add> disordered, he is fit for bawling at the same rate. Between<lb/> | |||
instrumental music and drinking, there is no such natural<lb/> | |||
alliance: a man may play a drinking song, but<lb/> | |||
the connection between the music and the drinking is no<lb/> | |||
longer immediate but remote: he may attempt to play,<lb/> | |||
but <del>while</del> so long as he does so he must have his faculties<lb/> | |||
in the most perfect degree at command. A<lb/> | |||
musical performer after the performance may get drunk<lb/> | |||
like another man: after the performance, but not while<lb/> | |||
he performs: where intoxication commences,<hi rend="superscript">⊞</hi> <note><hi rend="superscript">⊞</hi> disorder commences: and where disorder commences,</note> there instrumental<lb/> | |||
music ends.</p> | |||
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{{Metadata:{{PAGENAME}}}}{{ | {{Metadata:{{PAGENAME}}}}{{Ready_For_Review}} | ||
remark was accompanied and contrasted by another, that
no such danger attended had been observed to attend on a proficiency in instrumental
music – why? because there neither is nor ever
was any such connection between voice instrumental
music and drinking. Drinking leads to bawling noise: and
bawling noise inspired by drinking falls naturally into that sort of bawling which
has drinking for its theme: and so long as a man
retains any sort of possession of his faculties, howsoever whatsoever
be the disorder in them – disordered, he is fit for bawling at the same rate. Between
instrumental music and drinking, there is no such natural
alliance: a man may play a drinking song, but
the connection between the music and the drinking is no
longer immediate but remote: he may attempt to play,
but while so long as he does so he must have his faculties
in the most perfect degree at command. A
musical performer after the performance may get drunk
like another man: after the performance, but not while
he performs: where intoxication commences,⊞ ⊞ disorder commences: and where disorder commences, there instrumental
music ends.
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Identifier: | JB/149/057/001"JB/" can not be assigned to a declared number type with value 149. |
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149 |
poor law |
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057 |
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001 |
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text sheet |
1 |
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recto |
d7 |
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jeremy bentham |
i taylor |
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evan nepean |
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49911 |
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