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Expressing an image by colours
Where the image to be expressed is of an uneven surface or form, & where the semblance of that uneven form is to be given by shades, while the effect of light upon colours is also to be represented by means of colours
Callico penciller
Penciller of woolen goods
Print stainer
Drapery painter
Paper hanging penciller
Silk hanging painter
Glass stainer
Watch & trinket enameller
Drapery painter,
Painter of architecture
Flower painter
Pattern drawers
Fruit painter
Still life painter
Marine painter
Landscape painter
Animal painter, bird
Face painter
Portrait painter
Fancy miniature painter
on glass
pearl
ivory
Miniature painter
History painter.
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Where the image to be represented is not actually already
Where the idea of the means of representing an image is not to be taken from the image itself, but from a representation of the image already expressed in colours upon a flat surface
The various pigments in use with regard to ease of application, permanency, price.
So much of chemistry as necessary to guard against a destruction or change of the colouring matters by mixture with each other during the application,
by combination with air & vapor during application.
by mixture with water, gums, oils, varnishes with the vehicle by means of which it is applied.
The ordinary means of giving permanency to colours & of procuring a more perfect adhesion.
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Where the idea of the means of expressing an image is to be taken from the image itself
Opticks
as relating to form
distance
light & shade
colour
questionable reading and lightness
tendency of a substance to gravitation
opacity & transparency
stability & flexibility
compactness & porosity of texture
The colours, shades, & figures which an object exhibits according to the relative position of the light, & the eye which views it.
Readiness in discriminating the disposition of the parts of an object, of particularity of its situation, from which any peculiar appearance effect arises: so as to produce ideas of motion, of horror, of gloom, of pleasure
Pleasurable sensations whether arising from beauty of form or colour, or from the association of ideas with certain combinations of forms & colours
Change in appearance that takes place in an animated figure arising from the several affactions of the mind, or in an inanimate object from the influence of the various circumstances to which it is likely to be exposed.
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Where the image to be expressed is deleted text that of deleted text of animated matter, having a power in itself of producing the motion of its parts & where the passions of the mind are expressed by the disposition, form , or motion of its parts
Anatomy in so far as relates to the parts which become visible in the different situations of a living body.
Ready perception of the characteristic parts of the body by which animals of different species of animals.
Ready perception of the particular parts of the body by which individuals are distinguished.
Readiness in discriminating the effect produced upon the body by the general character of the mind of the individual
Knowledge of the parts of the body visibly apparently affected by the various passions of the mind. Readiness in combining the ordinary effect of passion with the general character of the individual under its influence
Reday discrimination of the means of grouping many animated figures, so in each situation
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as that they shall all tend to produce a desired idea, both as to the particular attitude & expression of each, & the general combination of the whole.
Judgement in introducing inanimate bodies so as that they shall conduce to the desired general effect.
A
A painter should be a naturalist & a phisiologist.
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Identifier: | JB/107/117/001"JB/" can not be assigned to a declared number type with value 107. |
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117 |
conformation superficial or configuration |
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001 |
expressing an image by colours |
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marginal summary sheet |
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recto |
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35108 |
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